Backstages from the 41st Riga Fashion Week trace the shared language of Baltic design through the work of Studio MX, Natalija Jansone and Szczygiel, three visions connected by intention, process and craft.

In her Spring/Summer 2026 collection, the designer explores intimacy as a quiet form of rebellion, bringing the hidden mechanisms of clothing (and emotion) to the surface.

‘CLOUD’ unfolds as a reflection on rain, melancholy and femininity. In #VEINDIGITAL we went backstage at 080 Barcelona Fashion to talk with Zoe Oms about how darkness and softness coexist in her latest collection.

Rei Kawakubo imagines beauty not as something to be preserved, but as something that survives.

“Heartfelt” marked the third chapter of @thenorthface x @ceciliebahnsen, where the Danish designer turned light, air, and feeling into a single, luminous gesture. We explore her collection through details.

No longer a child, not yet an adult, the teenager inhabits a liminal space of emotional intensity and uncertainty. This in-between defines girlhood as a cultural condition, traced through the narratives of cinema, photography, and fashion. In #VEINDIGITAL we spoke with curator Elisa De Wyngaert about how these visions converge in GIRLS, the new exhibition at MoMu.

London Fashion Week Spring 2026 reaffirmed the city’s role as a stage for radical beauty storytelling. From the handwritten lips at Simone Rocha to the camp excess of Ashley Williams and the baroque rebellion of Chopova Lowena , three shows turned makeup into theatre: defiant, tender and funny.

Figura clave de la literatura chilena del siglo XX, su obra trazó una poética del deseo y la ensoñación que anticipó el realismo mágico. ‘Escribir como nace la tierra’ (Bamba Editorial, 2025) reúne pensamientos, entrevistas y fragmentos en los que María Luisa Bombal reflexiona sobre la escritura, el acto creativo y la experiencia de vida.

Across her career, PJ Harvey has turned clothes and make-up into extensions of her music, using them as masks that both conceal and reveal the many faces of her selfhood.

Una crítica radical de Paul B. Preciado al régimen heteronormativo que estructura nuestras prácticas sexuales y nuestras identidades de género. El dildo, como objeto material y símbolo desestabilizador, se convierte aquí en un instrumento de realidad tangible y ficción subversiva, capaz de reconfigurar el deseo y el cuerpo.

Desire in Ambera Wellmann’s work takes shape as a surrender to the unknown. In this series of paintings, a woman is pleasured by an “other” whose form blurs, leaving only the trace of touch.

Through poses, costumes and characters drawn from popular culture, Cindy Sherman shows how femininity is constructed and performed. Her exhibition ‘Cindy Sherman. The Women’ at Hauser & Wirth Menorca offers a striking journey through decades of visual explorations into the performance of femininity.

With pieces named Vega, Rita, Mitra, Flora, Atlas, Aku, Ama and Cielo, Après Ski’s latest jewelry collection blends gold, silver and stillness into a luminous passage between life and dream.

Lo sagrado y lo cotidiano conviven en una obra que ha dado forma visual a la identidad, la muerte y la mujer en México.

A Flower Is Not a Flower, RUS Spring/Summer 2025 collection, inspired by the work of Ryūichi Sakamoto, becomes the starting point for an intimate editorial journey through Tokyo’s calm, light and textures.

A series of images unfolds like a surreal wardrobe diary, veiled in a dreamy, blurred haze reminiscent of retro VHS tapes.

Inspired by his childhood in a small Spanish town, Abraham Ortuño recalls the afternoons spent accompanying his mother to local boutiques, where Parisian imported fashion symbolized an unattainable dream.

Drawing from the Sanskrit word meaning «that which has been passed down from tradition,» AGAMA reinterprets historical textiles and nomadic influences to create garments that transcend geographical and temporal boundaries.

Si la respuesta es afirmativa, ¿cómo propiciar el encuentro?

El cultivo de una voz propia, el fortalecimiento de la voluntad y la disciplina de hábitos son las raíces, según la escritora americana, que nutren la responsabilidad sobre nuestras vidas, independientemente de la reputación y las opiniones ajenas que nos desvían del verdadero objetivo: amarnos y respetarnos a nosotras mismas.