Inspired by Jonathan Anderson’s Spring/Summer 2026 debut collection for Dior, four original stage looks add a fresh visual layer to Rosalía’s Lux era.

What happens when the protagonists of a film keep living after the credits roll? At ‘Tales & Tellers’, Miu Miu turns characters from its Women’s Tales films into live performers, bringing more than a decade of stories into the exhibition space.

Questions of memory, migration, ecology and identity shape the 2026 edition of Étant donnés, presented by Villa Albertine, where women artists, curators and researchers lead many of the programme’s most compelling projects.

Soft light, painterly colour and the quiet rhythm of nature shape Tiny Big Sister’s new collection, where Claude Monet’s gardens become a contemporary wardrobe of flowers, swans, stripes and crafted details.

From Biarritz to the web, Chanel translates its Cruise 2027 show into a summer capsule built on the same codes, reducing the gap between runway and release.

«The Witch inhabits both within and outside of us, wandering through forgotten paths, lingering in familiar territories and in the darkness of the room that is our mind».

In a world moving from one polycrisis to another, where technology and nature occasionally show their unpredictability, Nu-Romantic Sport offers a small but meaningful pleasure: the freedom to move with ease in garments that balance comfort, nuance and expressive detail.

Paris Haute Couture Week Spring Summer 2026 unfolded through distinct visual worlds. Across Dior, Chanel, Valentino and Schiaparelli, makeup and hair echoed the settings of each show, from enchanted landscapes to cinematic and sculptural references.

Milena Pavlović Barili’s dreams took shape through painting and poetry. The Serbian artist built an oneiric world where inner life, fashion and art flowed together as interconnected forms of expression, shaping a seductive and deeply personal form of surrealism that remains vibrant today.

Designers such as Chanel, Vionnet and Lanvin reshaped fashion in the 1920s by freeing the silhouette and aligning dress with women’s changing social roles, a shift revisited in ‘Art Deco and Fashion: Centering on the Kyoto Costume Institute Collection’.

Vivienne Westwood and Rei Kawakubo share a radical approach to fashion that challenges ideas of the body, taste and beauty, reworks historical sartorial codes and draws on punk as a disruptive language.

Carefree, charismatic and intentionally imperfect, Pepa Salazar’s Spring/Summer 2026 campaign frames femininity as both intellectual and instinctive, leaving behind old oppositions between thinking, desiring and dressing.

Ficción, ensayo y poesía, a veces en estado puro y otras entrelazados. Esta selección reúne libros editados en 2025 que piensan el cuerpo, el deseo, la memoria y la escritura desde distintos registros y dialogan con las preguntas de nuestro tiempo.

Among nenúfares suspended in mist, an angel emerges as the quiet origin of Kimhēkim’s Holiday Capsule, beginning its journey far from the city, drawn towards the lights of Seoul.

In ‘Woman Is a Tree’, care and damage coexist. The song presents a figure that is rooted and exposed at once, shaped by relations of dependence and support.

Incensurable, el nuevo libro de Luna Miguel, se mueve entre ensayo, ficción y crítica literaria para imaginar un 2029 en el que Lolita de Nabokov ha desaparecido de bibliotecas y planes de estudio. A partir de ese borrado, el libro interroga el deseo, el consentimiento y la lectura como experiencia corporal.

NANA follows two young women linked by a name and separated by fate, shaped through clothing inspired by the Vivienne Westwood archive of its author, Ai Yazawa. Born in 1999 within Japan’s vibrant youth culture, the manga is now revisited in a capsule that expands their intertwined legacy.

“Como un árbol en mitad del bosque, he seguido el rastro de las raíces que me conectan y unen a otras poetas.” Con estas palabras, Juana Marín Madrid presenta Ella lo llamó gozo, una antología que ha editado y coordinado para reunir las voces de mujeres queer desde la diversidad de identidades, cuerpos y lenguas.

Backstages from the 41st Riga Fashion Week trace the shared language of Baltic design through the work of Studio MX, Natalija Jansone and Szczygiel, three visions connected by intention, process and craft.

‘CLOUD’ unfolds as a reflection on rain, melancholy and femininity. In #VEINDIGITAL we went backstage at 080 Barcelona Fashion to talk with Zoe Oms about how darkness and softness coexist in her latest collection.