In ‘Fabric Matrons’, the American artist transforms Chanel’s archival fabrics into a cast of fictional women, questioning beauty standards, femininity and the pressure to remain young.

“The most dangerous thing about the witch was never her power, but her refusal to be defined by anyone other than herself.” In their new book, ‘Witch’, Dilara Fındıkoğlu and Harley Weir reclaim intuition, sensitivity and imagination as human capacities that have long been suppressed.