Erin Hyvin opens a new sonic ritual with ‘Daughters Of The Earth’

28 / 05 / 2026
POR Marian Coma

Between ambient textures, elemental imagery and intuitive femininity, Erin Hyvin introduces the first chapter of her upcoming album through a song that feels deeply rooted in the body and the natural world.

There is something quietly ceremonial about the universe that Erin Hyvin is building around ‘Daughters Of The Earth’. The Barcelona-based artist presents the track as the opening gesture of a new musical chapter, one shaped by emotional honesty, organic textures and a profound connection to nature and its cycles. Accompanied by a video directed by Bibian Arbus, the release expands through landscape, movement and atmosphere, introducing the sonic and visual language of her forthcoming album.

Built around layered vocals, ambient soundscapes, harp and guitar, ‘Daughters Of The Earth’ emerged from a simple but powerful image: walking through a forest and singing to the elements. Water, fire, wind and earth become living presences throughout the track, but also metaphors for the body itself, blurring the boundary between external nature and inner emotion.

The song was developed together with producer Ariana Abecasis, whose production reinforces the cinematic and immersive quality of the composition. Rather than chasing maximalism, the track moves through softness and intimacy, allowing silence, breath and texture to occupy as much space as melody.

That tactile sensibility also defines the visual world surrounding the release. Photography by Alberto De Celis, art direction by Silvia Calvo and jewellery by Toda Frágil complete an aesthetic rooted in fragility, earthiness and sensory perception.

Following her 2023 debut EP ‘It Was All A Dream’, Erin Hyvin continues moving toward a more instinctive and stripped-back creative process, where music emerges directly from feeling rather than construction. ‘Daughters Of The Earth’ feels less like a standalone single and more like the entrance to a wider emotional landscape.

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